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Shindig Annual No.3

ISBN 9780992643423

168 pages - paperback

In stock now - order here

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Review from R2 Magazine
Outerspace, innerspace and urbanspace - all these areas have been explored by space-rock, a nebulous term covering musique concrete, ’blanga’, post-punk, and other sub-genres where the distortion is turned up and the electronics are set to stun. In this chunky, colourful A4-format dossier, Captain Matthews and the Shindig! crew chart the multi-armed nebula that spirals out from the Big Bang that fused avant-garde art music, the space race, sci-fi and the BBC Radiophonic Workshop. The guiding stars along the journey are Delia Derbyshire and Hawkwind, both the subject of informative articles in their own right, and constantly popping up with reference to contemporaries and later visionaries. From pioneers like Pink Floyd, Amon Duul ll and Gong, through off-shoots and followers Tim Blake, Ozric Tentacles and Omnia Opera, to current contenders Sendelica and Vibravoid, the gang’s all here.Well, nearly all here: Here & Now and Grobschnitt are notable by their absence, but we’re always going to disagree on some of the details. All in all, though, this is one of the best overviews of the genre to date, and I’d love to see Matthews, who clearly has both knowledge and enthusiasm, go on to produce a weighty book on the subject.
Oz Hardwick

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

INTERSTELLAR OVERDRIVE
The Shindig! Guide To Spacerock
This special edition of Shindig! explores spacerock’s peculiar mix of heavy riffs and electronics through the age of the space race, the resulting sci-fi explosion and the mind-expanding influences of the acid-fried ‘60s and beyond.
We trace spacerock back to its roots with the soundtracks of the ’50s, including Louis and Bebe Barron’s FORBIDDEN PLANET, through to the incredible work of JOE MEEK on ‘Telstar’. In addition, we will cover the social and cultural context of the moon landings, sci-fi literature and the spaced-out cinema that shaped the end of the ’60s. In this environment came early spacerock efforts from THE JIMI HENDRIX EXPERIENCE, PINK FLOYD and THE BYRDS.
One band arrived at the close of the decade to define the genre – HAWKWIND. Just as influential in their own idiosyncratic way were GONG with their Radio Gnome trilogy. Several artists pursued the electronic side of spacerock, such as SILVER APPLES and FIFTY FOOT HOSE, whilst the BBC RADIOPHONIC WORKSHOP added a distinct Britishness to proceedings. The Germans also produced their own unique contributions to the idiom with AMON DÜÜL II, NEU and ASH RA TEMPEL. At the close of the ’70s several artists such as CHROME utilised the punk spirit to reinvigorate spacerock.
The magazine will take the genre through the ’80s and ’90s with OZRIC TENTACLES and the cross-pollination of the indie scene with SPACEMEN 3 and LOOP. Taking things up to the present day and proving the genre is still in rude health are the likes of ASTRA, THE HEADS and WHITE HILLS. There will also be numerous diversions through key spacerock obscurities as well as articles from the likes of Jonny Truck, Patrick Lundborg, Ian Abrahams and Rich Deakin.

 

Pink Floyd

Space Exotica

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