RIP Bob Garner. Obituary in coming issue. Here’s a single, unseen pic and info regarding his early ’70s act SMILER
L-R are John Ryan, Bob Garner, Billy Fogg , Peter Richardson and Douglas Dickson.
Bassist Douglas Dickson (who also sent Shindig! the photo) told Robin Wills “‘Penelope’,wasn’t really representative of the band, Kenny Picket wrote the A-side, but never played on it. Organ was a session man brought in. I agree the production was poor even for those days.” Will himself writes on his PurePop blog: “PostCreation single featuring Bob Garner. ‘I Know What I Want’ ( written by Bob Garner) is an atmospheric semi-glam/late fuzzbeat stomper. As a further link to The Creation; both sides were co-produced by Shel Talmy, but strangely the production lacks a bit of power and bite. The A-side is pretty hard to take: It’s a seriously grating piece of ’70s Bubblegum, with obnoxious kiddie vocals.”
We’re glad to have TEMPLES back. Do let us know what you think
Temples have announced details of ‘Certainty’, the first track to be taken from their forthcoming album, due out early 2017 on Heavenly Recordings.
Talking about the track, front man James Bagshaw, who produced the single, said: “When writing the melody for ‘Certainty’, I wanted to create something with almost an eerie, early Disney vibe, something playful and harmonious, but with a dark twist. Producing the song was as much about layering as it was about sparseness – the verses needed to reveal the thumping motion of the bass and the reflective lyrics, and the melody had to be paired with the right ambience. The chorus was approached in an opposite way, layer after layer, thickening the sound. There’s a blend between moog bass, and actual bass, and the song switches between synthetic and analogue sounds throughout. The guitar mirrors the synth, and visa versa.”
Shindig! are now involved with Canis Media and Showbiz TV, offering various forms of assistance across their portfolio. As a thank you they made us an advert. Jon was filmed flicking through his vinyl on an iPhone and recorded a script in a proper studio. Ghostbox act The Belbury Poly provide the music… Here it is. Please share and post freely
It’s once a year or less, that I (JON ‘MOJO’ MILLS, Editor-In-Chief) get really excited about a new band. We get so much stuff sent to us, and to be honest most of it goes in one ear and out the other, however good. Jacco Gardner… White Denim… Jonathan Wilson… Temples… Father John Misty… and Foxygen (more on them in a minute) have been bands I personally have championed… and now comes the incredibly intricate music of two teenage New York brothers THE LEMON TWIGS… who were discovered by Foxygen’s Jonathan Rado. We’ll feature the band properly very soon, but for now here’s their own biog and new video. Enjoy! I hope you love them as much as me. Talent this immense is rarely seen and heard
Once or twice everygeneration, Long Island introduces the world to artistsof such singular originality that they change the very nature of their art: Lou Reed; Jim Brown;Robert Mapplethorpe;Andy Kaufman.With their debut albumfor 4AD, Do Hollywood,The Lemon Twigs have earned themselves a spot on that list.
Fusing tightly constructed pop, sophisticated orchestration, and British invasion melodiesinto a 10–song masterpiece, the D’Addario brothers—Brian (19) and Michael(17)—are whipping fans and critics alike into an utter frenzy.
Born into a musical family, Brian and Michael grew upon TheBeach Boys and The Beatles, whose albums and filmsplayed constantlyin theirhouse. As toddlers, theywere already harmonising on ‘I Want To Hold Your Hand’,and soonthey wereplaying drums and mastering whatever instrumentsthey could get their hands on. Askabout their childhood dreamsand they’ll tell you that they neveraspired to do anything but makemusic together. It shows.
“Brian and Michael aretwo of the best musicians I’ve ever met,” saysFoxygen’sJonathan Rado, who discovered the duo viaTwitter and produced the new album. “As teenagers, they worklike studio vets. Brian can play anything you hand him –he played all the strings and horns on the record –and Michael is the most captivating drummer I’ve ever seen. There’s nothing they can’t do.”
Rado provedto be the perfect foil for the wunderkinds, and the resulting album brings together everything from Brian Wilsonand David Bowie to Queen and The Association. Their musiccan soar like a carnival calliope and then swiftly drop down toits knees inthe hushedtones of a confessional booth. Their vocals move seamlessly from a cabaret croon to classic la–la–la harmonies. Theymine inspirationseemingly from everyera of rock, stitching it all together into a baroque–popquilt of many colours.
It’s an ambitiousapproach, to say the least, but the album lives up to the hype. They forthcoming album Do Hollywood opens, appropriately enough,with ‘I Wanna Prove To You’,which parades out of the gatelike a circus arriving into to town. “I wanna prove to you what I can do,”Brian sings as he and his brother proceed to do just that. Bouncingpiano and dense harmonies give way to shifting time signatures and mind–bending arrangements.It’s the perfect introduction toThe Lemon Twigs, and to Do Hollywood,which features the brothers alternatingwriting credits on each track and liberally swapping instruments,just as they do in their electrifying live performances(they tour with live membersMegan Zeankowski on bass and Danny Ayala on keyboards).
Lead single ‘These Words’builds from a delicate whisper to arock and roll roar, while ‘How Lucky Am I?’ tugs at the heartstrings, and ‘As Long As We’re Together’callsto mind the memorablemelodies of Big Star and T–Rex. Perhaps no song demonstrates their brotherly democracybetterthan ‘Hi+Lo’,the track unfoldingin movements like something off of Abbey Road’s Side B medleywithMichaelsinging and playing guitar, drums, and bass, and Brian addinghorns and stringsto flesh out the orchestral atmosphere.
“We werecraftingthese songs pretty intricately,” Brian says. “There’s a lot of care in the arrangements. They’re built to get at people who like nice pop songs. But they’re not empty. We put a lot of ourselves into itand the album has a lot of substance.” It was that substance that caught the attention of the iconic 4AD label and has already earned the banddates with other critical darlings like Foxygen and Car Seat Headrest. With high profile tours and their label debut on the horizon, it’s only a matter of time untilthe rest of the world discovers Long Island’s next great cultural contribution. Get ready to Do Hollywood.It’s time to meet The Lemon Twigs.
Together with friends Megan Zeankowski (bass) and Danny Ayala (keyboards), Brian and Michael will take The Lemon Twigs on the road, and they will play Shindig!‘s hometown London in a few weeks! We’ll be there.
September 22nd – LONDON, 4AD Revue @ ICA (w/ Methyl Ethel and Pixx
The music maverick and radical ultra-folk icon Roy Harper has announced four live dates in the UK to celebrate his 75th this September. The tour takes in Birmingham, Manchester, Edinburgh and London and will feature string and brass ensemble arranged by Fiona Brice.
Now a recording artist for over 50 years, Roy has seen many shifts in the modus, style and politics of society, things he has always drawn from in his songwriting. His first steel string guitar is also 50 years old this year!
To tie in with these significant anniversaries he will begin reissuing much of his catalogue on vinyl from September 2nd. The first three titles to be released are Flat Baroque And Berserk, Stormcock, and Lifemask. These will be released in quality gatefold covers on 180g vinyl. They will be put out via his own label Science Friction and distributed by PIAS.
Roy Harper is one of the few surviving singer-songwriters from the counterculture of the ’60s who is still creatively engaged in new composition and in progressing a body of work that has come to stand for a particularly single minded form of integrity.
Now officially “retired”, and living in a secluded corner of Ireland, Harper has recently been hailed as a key influence by a much younger generation of devoted starsailors who instinctively recognise his innovations, his refusal to compromise and his visionary world view. The likes of Fleet Foxes, Joanna Newsom and Jim O’Rourke are avowed fans; and in previous decades he has enjoyed public endorsements from the likes of Led Zeppelin, Kate Bush, Pink Floyd’s Dave Gilmour and many more.
His awards have included the BBC Radio 2 Folk Awards Lifetime Achievement Award in 2013 and the Mojo Magazines Hero Award in 2005 presented to him by long time collaborator and friend, Jimmy Page. In September 2013 Roy Harper: Man & Myth – The Documentary, directed by George Scott, was broadcast on Sky Arts and his first album in thirteen years, Man & Myth, produced by Shindig! fave Jonathan Wilson, was released to rave reviews on Bella Union followed by three special concerts.
“This year, I celebrate my 75th birthday. In my 30s, my lifestyle was such that I could never have imagined that I’d live as long as this, but here I am. Perhaps because I thought that my life might be shorter than this, I’ve tended latterly to want to celebrate significant milestones, so here we are… I’m really looking forward to being out there again. It’ll be really great to see old friends and new, and be in that heady mix of the song and the moment on a stage again” ROY HARPER MAY 2016
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A publication put together with genuine understanding, sincerity and utter belief. We seek to end mediocrity in music magazines… to bring the scope and knowledge of old fanzines and specialist rock titles to a larger readership: quality journalism, columns, music and film history; exciting new bands and culture. From the most far-out ’60s sounds through country-rock and folk to soul and electronic experimentation. It’s all there.
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