Jason Bourgeois ‘Bankbook’

A home movie disguised as a promotional video (or is it the other way around?), ‘Bankbook’ comes from the Rub Wrongways Records release Jason Jr. This very magazine found the extended play “humorous, charming and positively dripping in classic pop songwriting savvy.” Learn more about New England native Jason Bourgeois by clicking the link


The Zombies, Orlando

The Plaza Live, Orlando, Florida
February 24th 2016



Orlando, Florida – land of Disney fans out for some kid-friendly fun, and not the most likely place to watch original ’60s popsters The Zombies perform their singular brand of wistful English psych. Yet here we are, in a strip mall on the edge of town, where St. Alban’s original hitmakers are kicking off a tour across the Sunshine State en route to Miami, where they’re due to join a cabal of fellow ’60s survivors like Vanilla Fudge and The Strawbs on The Moody Blues’ annual cruise round the Bahamas.

Support act Gringo Star out of Atlanta play a neat line in Elephant 6-ish indie pop, suggesting The Zombies don’t intend to entirely appeal to an oldies crowd – yet fans who probably saw them the first time around make up the core of the audience. And unlike 2015’s tour which saw the band recreate their seminal 1968 album Odessey And Oracle with the help of Wondermints main man Darian Sahanaja and all surviving members of The Zombies’ original lineup, this gig is performed by the current rock heavy iteration of the group in service of their new album Still Got That Hunger. The overall effect is somewhat schizophrenic, a show in service to an audience expecting hits like ‘Sticks and Stones’, leavened with the occasional “And here’s another one from our new album.”

Colin Blunstone remains a gracious, debonair presence, however, his voice as strong as in his ’60s and ’70s heyday, whilst Rod Argent is a killer keys man, one of the most underrated and sublime players of the psychedelic generation – and when they play a mid-set Oracle medley closing with ‘Time of the Season’ it’s clear why fans who fell in love with them in the ’60s remain as devoted to the band as ever.

Thomas Patterson


The Small Faces Photo Exhibition

Amazing candid shots of THE SMALL FACES in their prime. To view. For Sale. 

MARK RAISON surveys the new photographic exhibition in the Snap Gallery



Small Or Nothing is an exhibition curated by Snap Galleries of 100 Small Faces photographs launched to coincide with a new theatre production, All Or Nothing: The Mod Musical, based on the life and music of our miniature heroes.

The collection brings together well-known images and enough rare shots to keep both casual and obsessive fans happy. As the exhibition reemphasizes, The Small Faces were terrifically stylish and their sartorial elegance continues to inspire: madras jackets/tailored double-breasted coats; checked trousers/velvet flares; hush puppies/suede and leather chisel toes; polka-dotted button downs/penny collared silk shirts. There wasn’t a look these boys couldn’t pull off with aplomb.

They also, it appears, had an affinity with four-legged creatures as cats, dogs, horses, sheep and, of course, alligators on leads in rainy London streets crop up. The series of images on an overcast day stood in a field of sheep, inappropriately dressed and wearing what-are-we-doing-here expressions are wonderful but not typical. Sitting outside a shop with Steve Marriott making cheeky gestures at an old lady as she walks past more accurately captures their cor blimey charm.

Carol Harrison, who wrote All Or Nothing and attended the launch with members of the production along with Steve Marriott’s daughter Mollie, explained part of the challenge in casting the band for the musical was not only finding four young boys who could play and act but were also the right height. The classic Small Faces line-up came together organically and shows how the best things happen quite naturally.

Small Or Nothing is at Snap Gallery, Piccadilly,W1, 11-24 March then showing at the All Or Nothing: The Mod Musical at the Vaults Theatre, Waterloo, SE1, 31 March-30 April. Prints cost £35. Theatre tickets from £20.