Shindig! Broadcast #42

Jon, Paul and Tom back at Soho Radio… 


Tracklist

Intro and EVA

The Dials ‘Once’

Markey Funk ‘Witch Doctor’ – Talk over

Black Sabbath ‘The Wizard’

The Schizophonics ‘Land Of The Living’

The Universals ‘Green Veined Orchids’

The Troggs ‘Maybe The Madman’

The Woggles ‘Moritori Salutant’

Serge Gainsbourg & Jean-Claude Vannier ‘Colin Mallard’

Jim Ghedi ‘Bramley Moor’

Pentangle ’I Saw Am Angel’

Jason Faulkner & Sandra Kerr ‘The Princess Suite’

Pearls Before Swine ‘Another Time’

Alan Hull ‘We Can Swing Together’

Curtis Maldoon ‘The Man From Afghanistan’

Janis Ian ‘Young Generation Blues’

Edwards Hands ‘Revolutions Death Man’

Sunny & The Sunliners ‘Get Down’

10CC ‘Waterfall’

Brian Eno ‘Taking Time Mountain’

Tom Petty & The Heartbreakers ‘The Waiting’

The Tubes ‘White Punks On Dope – Thomas Dynamic Mix’

Maston ‘Rain Dance’

The Undisputed Truth ‘Ball Of Confusion’

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The Mining Co. ‘Missing Part’ video premiere

The new MINING CO. album Mountain Fires (out today) is an album that looks back to a different time, a time of total freedom, a wild childhood, long days and nights spent listening to radio stations like Radio Luxembourg, before the internet and before mobile phone communication and the start of a love for music: Elvis, Springsteen, New Wave: the soundtrack to love – come, gone and missed – a celebration to the past that still shines brightly


Read more The Mining Co. ‘Missing Part’ video premiere

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Shindig! Broadcast #41

JON ‘MOJO’ MILLS goes it alone as the Soho Radio team were broadcasting from Bestival. Recorded at home, featuring a selection of issue #71 related stuff and a few personal faves.


  1. Normal intro into Soho Radio into The Tremeloes ‘Instant Whip’
  2. Pentangle ‘Light Flight’
  3. Colorama ‘Give It A Miss’
  4. Russel Morris ‘The Real Thing’
  5. The Puppy ‘Belinda’
  6. Coven ‘For Unlawful Carnal Knowledge’
  7. Captain Beefheart ‘Zig Zag Wanderer’
  8. Calliope ‘I Wanna Thank You’
  9. The Lost ‘Violet Gown’
  10. Solar Flares ‘Hold Your Head Up’
  11. PP Arnold ‘A Likely Piece Of Work’
  12. The Clientele ‘Lunar Days’
  13. The Rolling Stones ‘Citadel’
  14. The Rolling Stones ‘2000 Light Years From Home’
  15. The Rolling Stones ‘Child Of The Moon’
  16. The Rolling Stones ‘Acid In The Grass’
  17. The Xtreems ‘Facts Of Life’
  18. The Beginners Mynd ‘Unity’
  19. Lesley Duncan ‘A Road To Nowhere’
  20. Keith Christmas ‘Travelling Down’
  21. The Virgin Sleep ‘Comes A Time’
  22. Fargo ‘Talks We Used To Have’
  23. Esther Phillips ‘Home Is Where The Hatred Is’
  24. The Undisputed Truth ‘Feelin’ Alright’
  25. Blue Beard ‘Sly Willy’
  26. Balls ‘Hound Dog Howling’
  27. Rare Bird ‘Devil’s High Concern’
  28. Arthur Brown & Kingdom Come ‘Triangles’
  29. Colin Blunstone ‘Smokey Days’
  30. Gilroy Mere ‘Cuckoo Waltz’
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Tracy Bryant ‘A Place For Nothing And Everything In It’s Place’ premiere

LA based musician TRACY BRYANT, as a one of a kind solo artist, is speaking out as an outstanding singer/songwriter who isn͛t afraid to dig below the surface. With his work he is filling the gap between lush pop-arrangements and a genuine, distinctive sound. To introduce his new album A Place for Nothing And Everything In Its Place (out on Burger Records October 20th) he will head over to Europe and the UK for a month long tour in December joined by his European backing band of Brian Allen on bass, Nick Winfrey (Adult Books) on second guitar and Leonard Kaage (Jawbones, Anton Newcombe & Tess Parks) on drums



‘A Place for Nothing And Everything In Its Place’ was recorded in early 2016 in Berlin, Germany. Originally conceived to be an introspective acoustic album, the written songs, once in the studio, developed into a fullyarranged, conceptual work. With the help of producer Leonard Kaage, the acoustic intention became the red line that guides the nine songs through their variety. Bryant’s lyrics go a more personal way and follow inner and outer conflicts captured through the words of a restless outsider who ends up finding the company of love. The album is filled with dreamy footnotes of piano, ’60s percussion and a more than once appearance of edgy guitars. Imagine a classic singer/songwriter record loaded with the intimacy and grit reminiscent of Alex Chilton or Nikki Sudden. A true milestone that marks an important progression in Bryant͛s career as a solo artist. The album got its finishing touch by the mastering of LA pioneer Dave Cooley (Ariel Pink, The Black Angels, M83).


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